Style Era

Although they were frequently the themes of art throughout Western history, women have hardly ever been acknowledged as artistic agents or subjects, and in her article Why Have There Been No Great Women Artists? Because of the western European idea of the Great Artist, who "is conceived as one who has 'Genius,'; Genius, in turn, is thought of as an atemporal and mysterious power somehow embedded..

Textile activities have long been viewed as remnants of women's pasts and their confinement to the home, when needlework was primarily an interest or a means of support. The feminist movement's campaign for the appreciation of women's art has encouraged the acknowledgement of the artistic worth of crafts like knitting, crocheting, and embroidery. Another approach to connect with historical women..

In conclusion, media products cannot represent objective reality, only multiple versions of it, according to Hall (1980), Flusser (1983), Ballengee (2001), and Kerner (1983). Because they are numerous, distinctive, and based on the viewers' perceptions, these can be considered subjective realities. According to Hall (1980) and Flusser (1983), media products are encoded with a variety of ideas, a..

Therefore, any artistic interpretation of history, particularly abstract works of art like Picasso's Guernica (1937) (Figure 3), which only depict the agony and destruction wrought and not the Second World War itself, could be viewed as untrue and erroneous. This duality is extremely limited and problematic for two reasons: first, authenticity does not only deal with facts or science, and second..

Additionally, Kerner (2011) addresses the significance of viewing historical accounts as fragments of the truth rather than as the whole truth. Documentaries are frequently "burdened with a putative commitment to objectivity," he writes in his book. This genre is frequently held to a standard of historical accuracy, a term that frequently takes on the wrong meaning. This term is frequently assoc..